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Southern Praying Mantis - Wikipedia. Southern Praying Mantis (Chinese: . It is most closely associated with styles such as Southern Dragon Kung Fu and Bak Mei. Despite its name, the Southern Mantis style is unrelated to the Northern Praying Mantis style. This system is known for its short power methods, and has aspects of both internal and external techniques. In application, the emphasis is on hand and arm techniques, and a limited use of low kicks. The application of close combat methods with an emphasis on hands and short kicking techniques makes the Southern Praying Mantis art somewhat akin to what many would call . The legs are moved quickly into range through footwork to protect and defend the body, and kicks are kept low, short and quick so as to never leave the Southern Mantis combatant off balance and vulnerable. History. Hsiung Thong Long Quet Tsot (Chinese: . However, despite similarities, the genealogies of these branches are not complete enough to trace them to a single common ancestor. The relationship between Chow Gar. Those styles can be identified as being Hakka Kuen. Hakka Kuen. The reason for this was the close association of this style with the Hakka community. This region, the original home to Southern Praying Mantis, covers a wide expanse in Southern China. It begins at the very heart of Hakka territory at Xingning, the home of Chow Gar founder Chow Ah- Nam. From Xingning, the Dong River (. In the prefecture of Huizhou, the Dong Kwong forms the northern border of Hu. Chow Yun-fat (chinois simplifi Jefferson City Petitions, Name index to naturalization petitions ca. District Court, Western District of Missouri, Central Division, Jefferson City MO. From there, the Dongjiang flows into the Pearl River Delta (. These masters are all members of the Hakka community and the transmission of this remained within this community until the generation of Lau Shui and Lum Wing- Fay. Praying Mantis. Each branch of the style offers a different explanation. The traditions of the Chow Gar and Kwong Sai Jook Lum branches each maintain that their respective founders Chow Ah- Nam and Som Dot created their styles after witnessing a praying mantis fight and defeat a bird. Such inspiration is a recurring motif in the Chinese martial arts and can be found in the legends of Northern Praying Mantis, Fujian White Crane, Tai chi and Wing Chun. The traditions of the Chu family branch contend that the name . The emphasis on the techniques of sticky hands, the use of the forearm with the elbows tucked into the chest, claw like fingers and quick explosive actions creates an image that are visually similar to a praying mantis preparing to strike its prey. The legacy of Lau Soei that is related to the praying mantis name was his famous staff form - the Tong Long Bo Sim Staff (Chinese: . His signature techniques include the . Like many martial artists of his generation, he resettled in Hong Kong after the Chinese Civil War. He continued to teach the Southern Praying Mantis Style and many of his students eventually became teachers of this style. He was acknowledged by both the Chow Gar and the Chu Gar practitioners as the founding teacher of the system in the modern era. Chow Gar. 1. 80. 0 to Chow Ah- Nam (. His student was Wong Fook Go (. He promoted the style within Hong Kong and later, to the United Kingdom. Sheet3 Sheet2 Director List Listed Company's English Name Listed Company's Chinese Name Stock Code Listing Status Director's English Name Director's Chinese Name. Jackie Chan Celebrity Profile - Check out the latest Jackie Chan photo gallery, biography, pics, pictures, interviews, news, forums and blogs at Rotten Tomatoes! Heat stroke is a life-threatening illness characterized by an elevated core body temperature that rises above 40 According to the Chu family branch, Chu was a member of the Ming Royal family who took refuge at Shaolin Monastery in Henan. After the destruction of the Northern Shaolin Monastery, Chu escaped to the Southern Shaolin Monastery in Fujian. He then promoted his art in the surrounding regions. Current students of Chu Gar are not related to the students of Lau Soei. Lau Soei was friends with the a member of the Chu family. Chu's son, who had learned Chu Gar all his life, was sent to Lau Soei to learn Chow Gar. At a Demonstration a reporter asked Chu's son what style of kung fu he did and he replied . Then the reporter asked him . This is the story told by grandmaster Ng Si Kay, Son in law of Ip Shui, who has been the records keeper of Ip Shui's School for approximately 5. Years and is the current head of the Chow Gar Mantis Association in Hong Kong. Current students of Chuka are related to the students of Si Tai Gung Sammy Wong. Those students continued the tradition of his school in the United States after he died in 2. Chuka can be found in China and the United States. Kwong Sai Jook Lum. He passed the art on to Lee Kun Ching (. Lee Siem See would travel to Southern China and spread the art amongst the general population. In Guangdong, his student, Cheung Yiu Chung (. During the winter of 1. Style/Art Year & Place Founder Background &/or Description; A: Abanico - - (Filipino system) Abaniko Doublada - - (Filipino system) Abe Ryu: Japan - This is an. Kao receiving an honorary degree from Princeton University in 2004. Cheung opened his first martial arts school and a traditional Chinese medicine clinic in Bao'an County in P. Lum) and Lee Wing Sing (. He then continued his training at the Jook Lum Gee, learning a variant of Bamboo Forest Temple Praying Mantis that was somewhat different from (although related to) the art he learned under Cheung Yiu Chung. The lineage of Lee Wing Sing is continued by his family and disciples in the United Kingdom and the United States. Cheung eventually moved to Hong Kong. He opened a martial arts studio and became the head teacher to the Hong Kong Hakka ship and dock workers union. The classes in Hong Kong was taught by Wong Yook- Kong. One of his favorite training method was to practise with 3. LB iron rings on his wrist while he perform his forms. As a result, his students also emphasize those aspects in their training. The lineage of Wong Yook Kong is continued by his two sons: Wong Yiu Hung (. In the 1. 93. 0s, Lum returned to Hong Kong and opened a Kwong Sai Jook Lum Temple Tong Long Pai school in Kowloon. In practise, he placed emphasis on softness and redirection and his students continue to display those traits. In 1. 94. 2, Lum Sang emigrated to the United States and settled in the Chinatown of New York City. He started teaching in Chinatown's Hakka Association, the New York Hip Sing Tong at Pell Street. In the late 1. 95. Free Mason Association Athletic Club, also known as Hung Ching. By 1. 96. 3, his Kwong- Sai Jook Lum Gee Tong Long Pai was one of the largest kung fu schools. In 1. 96. 9, Lam Sang retired from teaching and migrated to Taiwan. Lam Sang died in 1. His students such as Harry Sun, Wong Buk Lam, Gin Foon- Mark. All of these men have promoted this art in the United States and around the world. After Lam Sang's passing, his teaching position at the Hung Ching school in New York was occupied by a number of his successors over the years. Over the last decade, actively instructing the art there was late sifu James Cama (grand- student of Lam Sang through Robert Lee). Iron Ox. He earned the nickname for his strength and ability to withstand his opponent's strikes. He was also known to have taken part in the Boxer Rebellion (1. Ching government to restore the Ming government. The founder of this system is said to be Hung Mei ( Redeyebrow ) and origins of this system is said to be from Er mei mountain. Ho Kung Wah introduced the style to the United Kingdom in the 1. Hsiung Thong Long Quet Tsot. Originating in the Moi- yan (Chinese: . Chen passed the lineage on to Sifu Hsiung Khan Seong (1. Chinese in the year 1. He taught at Tangra, Calcutta, from the 5. The system is carried forward by the students and grand students of Hsiung. Characteristics and Training. The essences of the style is captured in various poetry and mnemonic aids. The name and type of form will vary between branches. In Circular Tong Long (a version of Chow Gar Tong Long under the direction of Henry Sue in Australia), the form structures are as follows: Sarm Bo Gin. Sarm Bo Yil Sou. Sarm kung Bic Kuiel. Sarm Bo Pai Tarn. Sarm Bo Pin Kuiel. Tong Long Bow Sim Sou. Tong Long Won Sou. Kwong Sai Jook Lum by Gin Foon Marks Kung Fu Association excerpt of curriculum: sarm bo gintwo man breakdown sarm bo gineighteen points and breakdownseven stars and breakdownfive stars and breakdownpoison snake staff. Sarm Bo Gin is considered one of the most important forms of the southern mantis system. It is a hard chi gung form and is usually the first to be learned. It strengthens the body, aiding its resistance to physical blows, and also develops power. The form should be done everyday, preferably early morning. K. Hsiung Thong Long Quet Tsot have the forms: Kiu Bo Chen or 9 Step Arrow as the First Seed Form,Pai Sith,Sine Su and Fa- Khian as training Forms. Xhy. LY1- 1. RSQ. Lo Mang of the famed Venom Mob is an expert in Chu Gar Southern Praying Mantis, having studied the martial art for over 1. 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The 1. 91. 5 San Francisco World's Fair. A Sense of Wonder: The 1. San Francisco World's Fair. June 7, 2. 00. 2 - September 2. Introduction. Think of it - just nine years after the devastating 1. San Francisco staged the 1. Panama- Pacific International Exposition, celebrating the opening of the Panama Canal in August, 1. The times were heady, and rapid strides were being made in engineering and manufacturing. Consider just a few notable aspects. The fair featured a reproduction of the Panama Canal that covered five acres. Visitors rode around the model on a moving platform, listening to information over a telephone receiver. Exposition. A pre- teen Ansel Adams was a frequent visitor. Notables, such as Thomas Edison, were often photographed with the bell. Army and Navy could have fit inside. The first- ever indoor flight occurred when Lincoln Beachey flew through the building before it was completed. A bill introduced in the U. S. Congress to provide $5,0. Even the earthquake failed to discourage San Francisco's entreprenurial spirit. The Pacific Exposition Company was formed in 1. About $5,0. 00,0. California created a tax- funded $5,0. Numerous personages of note attended, and special excursion trains were run from the East Coast and other locations. The Liberty Bell made a special trip to the fair and was a favorite spot for celebrities to be photographed. Even WWI failed to put a damper on the festivities, although the year 1. Among the prominent attendees were President William Howard Taft, Thomas Edison, Alma Spreckles, Theodore Roosevelt, Lotta Crabtree, Luther Burbank, Maria Montessori, John Philip Sousa (who performed at the fair for nine weeks), Barney Oldfield, Henry Ford, Eddie Rickenbacker, William Saroyan, D. Griffith, Buffalo Bill Cody, Al Jolson, Helen Keller, Charlie Chaplin, Camille Saint- Saens, Franklin D. Roosevelt, Phoebe Hearst, Mabel Normand and Fatty Arbuckle. The Exposition had to accommodate varied and multiple structures and exhibitions and thousands of visitors; it had to be both functional and impressive; and it had to complement the natural beauty of its San Francisco Bay setting. Kelham was chosen as chief of architecture. It grouped the eight main exhibition palaces together in a single block. This main block was then flanked on the eastern end by the Palace of Machinery and on the western end by a neo- classic fantasy monument, Bernard Maybeck's Palace of Fine Arts. The block also included several magnificent courts: the Court of the Universe, the Court of Abundance, and the Court of the Four Seasons. While the buildings appeared substantial, they were intended to last only for a year, after which they would be demolished. The Palace of Fine Arts underwent a major restoration in the 1. Faville surrounded this area with a wall designed to reflect the classic eras of architecture thus creating a unifying design for the block. The monumental exhibition palaces formed a core that held together two outer and very different zones of the Exposition. At the western end beyond the Palace of Fine arts were exhibition halls built by participating countries and states. All together, the Fair occupied 6. The total construction cost was about $1. It measured nearly a thousand feet in length, 3. More than 2,0. 00 exhibits were displayed inside on two miles of aisles. The soldiers and sailors of Uncle Sam's 1. Army and Navy could have fit into the Machinery Palace with room to spare. His speed through the building - - a blazing 4. Symmes Richardson, the architect drew his inspiration from Trajan's Column in Rome. It completed the symbolism of the Exposition's sculpture and architecture, as the joyous Fountain of Energy at the other end of the north- south axis began it. Byzantine in its architecture it suggested the Mosque of Ahmed I at Constantinople. This was the palace of the bounty of nature; its adornment symbolized the rich yield of California fields. In the Tympanum above the central portal, sculptor Gustav Gerlach created the group . Thus the group depicts the various stages of education. Burditt was by far the largest state building ever erected at the time. It covered five acres! Inside walls were hung with tapestries loaned by Mrs. Displays from the fifty- eight California counties were presented. Jules Guerin a colorist , painter, and designer oversaw the Exposition's color schemes. He created a specially blended gypsum and hemp plaster material in hues of old ivory that mimicked the travertine marble used in ancient Rome. This plaster was applied over most of the buildings, statues, and walls. Eight accent colors were used throughout the Exposition. Very romantic and ornate sculptures were typical of the era and profusely adorned the Fair and its structures. Karl Bitter, Director of the Department of Sculpture, and A. Stirling Calder, the Exposition's acting chief of sculpture, commissioned more than fifteen hundred sculpture from artists around the world. These stood on columns, in niches, in fountains, and as free- standing groups throughout the Expositions. In the South Garden was the Calder Fountain of Energy. Resting in the center of the pool, and supported by a circle of figures representing the dance of the oceans, is the Earth, surmounted by a figure of Energy, the force that dug the canal with Fame and Victory blowing bugles from their shoulders. He was able to achieve this end in his design. The sweeping arc of the building on the shore of the lagoon is a mere backdrop for the trees and plants. The central rotunda 's entablature contains Bruno Louis Zimm's three panels representing . Robert Louis Zimm created the panel in front of the altar on pictured Genius, the source of inspiration. Above, in the dome, Robert Reid's eight murals symbolize the conception and birth of art, its commitment to the earth, and its progress and acceptance by the human intellect. This garden was comprised of rocks up to three tons in weight, 2. Japan. The Golden Pavilion, a copy of a Japanese temple, and two graceful teahouses were located within this Japanese garden, which was staffed largely by the government of Japan. It would be a glorious thing for San Francisco if the Fine Arts Palace could be made permanent in Golden Gate Park. The war in Europe did prevent some countries like Russia and Germany from sending art works, it led other countries such as France and Italy to send more than they might otherwise have sent. Thomas Williams that now houses the Museum of American Heritage, was instrumental in developing the detailed plans for the 1. Exposition. His plans were presented to the US COngress in 1. San Francisco and New Orleans as to which city would have the privilege of hosting the celebration of the opening of the Panama Canal. W. D'Arcy, who was called . The radiance of the 4. Tower of Jewels came from huge searchlights aimed at it from a circle of hidden stations. Perhaps the most exquisite and dazzling feature of the fair, the Tower, with its 1. Bohemian glass, refracted and reflected both sunlight and nighttime illumination. It was manned nightly by a company of marines, who manipulated the fan of lights in precise drills at night. Concealed behind the heraldic emblems were powerful magnesite arc lamps. Other concealed lights gleamed through the waters of the fountains. In the Court of the Universe they were white, in the Court of the Seasons green, and in the Court of the Ages they were red. Behind each window and doorway were hung strings of lights backed by reflectors. If natural fog wasn't present to supply this background for the great beams of the Scintillator, clouds of steam from a steam locomotive positioned on the breakwater provided the missing mist. A Stirling Calder was the acting chief of sculpture, and under his direction was a large staff of skilled workmen, hired to turn out thousands of sculptures and decorations. These works were made of plaster and tinted to match or compliment the buildings. It showed an Indian astride his exhausted horse, representing the Native American's failed battle against encroaching civilization. Daniel Chester French's statue depicted an angelic figure with its creation of man and woman below. C. L Pietro created one of the strongest sculptures in . In front of The Tower of Jewels stands his joyous . This sculpture, the joint work of A. Sterling Calder, Leo Lentelli, and F. Roth was comprised of figures representing an American Indian, pioneers gathered around the Prairie Schooner, and the figures of Mother of Tomorrow and Spirit of Enterprise. The moving- picture machine was extensively used to illustrate industrial progress in various exhibits, and the presence of both mechanical and electrical devices was larger than life in many cases. On opening day, President Woodrow Wilson started, by wireless, the Diesel- driven generator that supplied all of the direct current used in the Palace. News stories were typed on it daily. The overwhelming theme was that machines would play a major role in making life more comfortable and enjoyable. The Fair reflected this outlook, incorporating three display halls related to the growing and production of agricultural products: The Palace of Horticulture, the Forestry building, and the Palace of Agriculture. This Palace was prominently located at the northwest corner of the Court of the Universe. The certificate is a fine example of printing from engraved plates. A larger image can be viewed by clicking here. As might be expected, the Forestry building was concerned with the growing of trees and the production of lumber. However, some of the things to be found in the zone were very untypical, including the . It was designed and built by Joseph Strauss, the designer and builder of the Golden Gate Bridge. Riders were treated to an aerial view of the fair and nearby San Francisco. It was especially spectacular at night. Another popular ride circled a five- acre operating model of the Panama Canal. Once Upon A Time In The North 2. Once.Upon.a.Time.DVDRip.XviD-PosTX 2cd subtitle search XviD-WRD 2CD, 2, Amir. Arabic Once Upon A Time In The North 2012 DVDRip XviD-FiCO, 2, KarezmA. Release info: Once.Upon.A.Time.In. The.North.2012.DVDRip.XviD-FiCO. Oct 23, 2012 Once.Upon.A.Time.In.The.North.2012.DVDRip.XviD-FiCO. Once Upon a Time in the North. 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